Albarese | Parco Naturale delle Maremma

Capalbio


Colline Metallifere


la costa Toscana

Crete Senesi


         
Abbazia di Monte Oliveto Maggiore

Grosseto


Manciano


Montagnola Senese

          Walking in the Montagnola Senese


Montalcino

Monte Amiata

Montepulciano

Prato

Scansano

Siena

          Fonti di Siena

Sorano

Sovana

Val d'Elsa

Val d'orcia

          Montalcino

          Pienza

          Sant'Antimo

          San Quirico d'Orcia

          Radicofani

          Walking in the Val d'Orcia


Val di Chiana


         Montepulciano

         Montefollonico


Valle d'Ombrone

 

 

 

 

 

 

 





 
Val d'Orcia

San Quirico d'Orcia

E N G       N L

San Quirico 'Orcia

 

Toacana ] Galleria di immagini  
     
   

San Quirico d'Orcia

   
   

San Quirico d'Orcia is an enchanting little medieval town on the Via Francigena. An imposing perimeter wall protects San Quirico d'Orcia,, accessed by a gateway, the only of the four original gateways to have survived the passage of time. The historic center of San Quirico perfectly conserves its medieval plan and a great number of impressive works of architecture such as the Romanesque Church of the Collegiata, with its three portals one of which attributed to Giovanni Pisano; the 17th century Palazzo Chigi; the Church of San Francesco which houses a Madonna by Andrea della Robbia; the Horti Leonini, splendid example of late 16th century landscape gardening; the intimate Romanesque Church of Santa Maria dell'Assunta and the Ospedale della Scala, once the refuge of pilgrims travelling along the via Francigena.


 

San Quirico d'Orcia, alley with the Collegiate [2]

 

   
   

To reach San Quirico we can follow the old stretch of the Cassia through the center of Torrenieri, or a longer, recently built road which can be traveled more easily. They both offer beautiful views over the rolling hills of the Asso and Orcia valleys, with some of the most photographed countryside in Tuscany. Seat of a parish church which dates back to the dynasty of the Lombards, the San Quirico Castle took on remarkable importance during the course of the 12th century when the heads of the Empire made it their residence. Between the end of the century and the beginning of the 13th century it was taken under the jurisdiction of Siena, and from 1262 it was center of a vicariate. In 1213 its men swore to the Sienese podesta that they would guard a stretch of the Francigena. Because of its position as the last large castle before one of the most insecure stretches of the entire route, San Quirico, center of numerous hospices, was an important stopping place along the road and was mentioned in both Sigeric's I about 990, and in Philip's (t 191) itineraries. Its urban structure, built within the nucleus of the Castle (or Hillock) which is the most ancient part, and the Hamlet, later included within the boundary walls, developed mostly along the Francigena, from Porta Camaldoli to Porta Ferrea, (which no longer exist). Major architectural evidence can be found along this route, most importantly the parish church which is now a collegiate church, documented since the year 714. The present-day building with features ranging from Romanesque to Gothic, has a Latin cross plan with two polygonal apses in ~e transept wings and a large 17t century, quadrangular choir. The ceiling of the nave with wooden roof-trusses shows traces of the original polycromy brought to light during restorations carried out in the 19 century. To be noted, among other works of art, are a 15t century panel attributed to Sano di Pietro (Madonna and Child with Angels and Saints). Antonio Barili's (1482-1502) inlaid wood choir stalls, and the tombstone of Count Enrico di Nassau, who died in San Quirico on his return from Rome during the Holy Year pilgrimage in 1450.
The three monumental portals, obviously out of scale compared to the size of the building, demonstrate the intense relationship with the Via Francigena, and all of them face it, precious objects to be exhibited to those traveling on the road, especially towards Rome. The façade portal is splendid, probably the most beautiful Romanesque portal in all of southern Tuscany, of Lombard construction, with columniferous lions, bundles of knotted small columns and two wrestling monsters sculpted in the lintel. The door on the right side of the nave is of very high quality, in Gothic style, with two statues that can be traced back to the Giovanni Pisano school. The door in the right wing of the transept, decorated with foliage motifs and dated 1298, is also remarkable. Confirmation of the influence of the Francigena on the architecture of the time is given by another Romanesque church in San Quirico, Santa Maria, situated at the opposite end of the village, with a single nave with wooden roof-trusses and semi-circular apse. The façade, facing a street of minor importance, has a simple entryway and is completely lacking in ornamentation, while the left side which faces the Francigena boasts a beautiful French-style portal absolutely oversized in comparison with the rest of the building. It is probably one of the twin portals intended for the great
Church at the Abbey of Sant'Antimo which was brought here following the economic crisis at the end of the 12th century that prevented the monk, from completing the façade. The only other part of the church which is decorated is the apse crowned with small suspended arches and large sculpted corbels purposely visible to those travelling north on the Francigena.

Along the road currently named Via Alighieri other medieval buildings can be found Palazzo Pretoria, with two large gothic arch portals and single lancet windows above, and the Church of San Francesco (otherwise known as "of the Madonna") transformed in modem times where we can admire two wooden polychrome statues attributed to Francesco di Valdambrino and a Madonna in terracotta by Della Robbia originating from the Church of Vitaleta, and object of particular devotion.
Moreover, at the Church of Santa Maria Assunta, on the opposite side of the road, the ruined walls of a fortified farm belonging to Santa Maria dell a Scala Hospital, with an outbuilding which was a hospice for the poor and pilgrims, are visible. The farm was created from an original nucleus of property which was donated to the great Sienese institution in 1237. Near a plaque with the Santa Maria coat of arms a vaulted passageway leads to the ancient courtyard where there was once a charming loggia with small travertine columns that was subsequently closed in.
There are also some remarkable fortified buildings which were repeatedly restored between the 14th and 15th centuries by both the Commune of Siena and the hospital. To be noted in particular are the boundary walls, a good portion of which has been preserved, with the remains of 14 towers, and Porta Cappuccini, unique with its polygonal tower and once preceded by an outer gate of which only the foundation remains. Finally we cannot help but take notice of the monumental evidence of modern times, sign of the vitality that continued in San Quirico even after the Middle Ages the great Palazzo Chigi, near the parish church, built during the second half of the 17th century according to a design by Carlo Fontana, and the Horti Leonini, a vast park with Italian garden bordered by the castle walls and accessible by the main square, which was carried out by will of Diomede Leoni around the mid-16th century.



 


Collegiata dei Santi Quirico e Giulitta, portal

 


The lintel reliefs of the west portal
include a couple of mermaids facing off

 

Church of Santa Maria Assunta

 

 

San Quirico d'Orcia, The Collegiate, detail
San Quirico d'Orcia, The Collegiate, detail [2]
     
     
Now we leave the Cassia and take the dirt road from San Quirico that leads to Bagno Vignoni. The route, all along a ridge offers some of the most breathtaking vistas of the Sienese countryside, with wide-sweeping views over the Val d'Orcia, Mount Amiata, and the Val dAsso. In 1051 the Vignoni Castle was confirmed by Henry III to the Abbey of Sant' Antimo. From the mid-12th century it was ruled by the lords of the Tentennano fortress and in 1208, it was already one of the castles that was obliged to pay a tax to the Commune of Siena. The present-day settlement is formed by a few farmhouses, a large building dating back 10 the late Middle Ages, a partially demolished tower with very high scarp base and, at the end of the village beside a gate in the boundary walls, a lovely Romanesque church dedicated to Saint Blaise.
The building, with small nave and roof-trusses, has a round arched portal in the façade with single lancet window and two small cruciform windows above, and in the far wall, without apse, a bell gable with human head sculpted into the base. On the inside there are remains of 14th and 15t century frescoes.
From Vignoni we continue until the Ripa Castle and then return to San Quirico where we pick up the Cassia once more. The road goes down rapidly amidst scenery of great beauty, until it reaches the bridge over the Orcia. This one is new, but a short distance away in the confluence of the Rimugini brook the remains of a medieval bridge, with travertine voussoir piers, are preserved. Nearby there is a hospital that was donated to Santa Maria della Scala in 1236.

Immediately preceding the present day bridge a right turn leads to Bagno Vignoni, famous thermal spa known since Roman times. In the Middle Ages it was a village with several hospices and a parish church. At the beginning of the 14th century it passed under the jurisdiction of the Salimbeni family and at the end of the century it was taken under the control of Siena. Bordered by a 14th century wall, the pool is continually replenished with warm water (52°) from the village's thermal springs. The health inducing properties of the water have been known since ancient times. Today, the waters are used in spa therapies performed in the various wellness centers situated in Bagno Vignoni.

Surrounding it are buildings from different periods, among them a small structure with 1St century characteristics, the Church of San Giovanni. restored in the 18t century, and an arcade with a 17th century chapel dedicated to Saint Catherine, who frequently stayed here. The water trickles from the pool through the rocks out of the hamlet, and after passing a series of artificial tubs gushes along the hill forming little waterfalls and natural pools, thereby creating a highly suggestive ambiance.A typical loggia supported by pillars in travertine marble closes the fourth side of the baths. Legend has it that Saint Catherine, after whom the loggia takes its name, used to bathe in these waters, as did members of all the great noble families of Siena.

On cold winter nights, the contrast between the external temperature and that of the warm thermal waters produces vapours which rise up from the pool and envelop the whole of Bagno Vignoni. The resulting magical, almost surreal atmosphere, was immortalised in the Russian director Andrej Tarkóvskij's film Nostalgia.


 


Bagno Vignoni



Bagno Vignoni, Parco dei Mulini

Horti Leonini in San Quirico d'Orcia


Horti Leonini in San Quirico d'Orcia
Horti Leonini in San Quirico d'Orcia

 

 
Villa La Foce


Villa La Foce


In 1924 the Irish-American Iris Origo - the famous author - and her Italian husband, Marchese Antonio Origo, acquired the La Foce estate- a combination of olive groves, widespread cultivated fields and woodland. In those days, their management of La Foce brought prosperity and cultural and social changes to the poverty-ridden land it was then. Today their daughters, Benedetta and Donata, run the La Foce estate and their personality pervades in the hospitable atmosphere.

The garden at La Foce was designed by Iris Origo and the famous English landscape gardener Cecil Pinsent between 1925 and 1939. Iris already knew Cecil as he had worked on her mother's house, Villa Medici, in Fiesole, and the nearby house of friend Bernard Berenson, Villa I Tatti.
On these two properties Cecil had proved not only that he could design and redesign a home, but also that he was also talented in creating landscapes.

La Foce has also become a centre for cultural and artistic activities. Castelluccio (literally little castle), a mediaeval castle on the property, is the home of an international music festival, Incontri in Terra di Siena. It also hosts art exhibitions, as well as courses on garden history and landscaping.
Each summer, the cultural association La Tartaruga organizes art shows at the medieval castle Castelluccio. The curator, Plinio de Martiis (known for his important gallery in Rome) has in recent years brought the work of renowned artists such as Kounellis and Manzoni to Castelluccio, as well as promoting young, less famous artists.

Gardens in Tuscany | Villa La Foce

Incontri in Terra di Siena | www.itslafoce.org
 


The gardens of La Foce

 
   


Walking in Tuscany | The Via Francigena in the Siena Region
From Sienna south, the Via Francigena closely follows the Via Cassia, another of the old roman roads. Visits to Isola d'Arbia, Buonconvento, Montalcino, the Abbey of Monte Oliveto Maggiore and San Quirico d'Orcia are all worthwhile. However the last two stops of Sigeric, Bagno Vignoni and Abbadia San Salvatore, are the most spectacular. Bagno Vignoni is where for centuries people have gone for health cures because the sulphur water baths. The Abbey of San Salvatore is the best conserved of the mediaeval villages with a great Abbey attached. It was already famous in the 8th century.


[1] Horti Leonini| www.brunelleschi.imss.fi.it
[2] Photo byZyance, licenziato in base ai termini della licenza Creative Commons Attribuzione-Condividi allo stesso modo 3.0 Unported


 

 

Wikimedia Commons contiene immagini o altri file su San Quirico d'Orcia

 

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Podere Santa Pia
, with its wide panoramic terrace overlooking the Maremma, is the ideal place to enjoy the beauty of Tuscany and to pass a very relaxing holiday in contemplation of nature, with the advantage of tasting the most typical dishes of Tuscan cuisine and its best wines.
The extreme simplicity of Tuscan cuisine is its strongest strength, as the flavours that emerge during the cooking process are vibrant and pure. A little known fact about Tuscan cuisine is that the French learned how to cook from their Tuscan counterparts when it was imported by Catherine de' Medici into the court of Henry II. The Tuscan style of cooking is richly flavoured and wholesome. With its original kitchen and the wood burning pizza oven, Podere santa Pia Santa Pia offers an upbeat atmosphere.

Tuscan Holiday houses | Podere Santa Pia

 

View on the northern terrace